as landscape

as landscape

watercolor
22 x 30"

Watercolor, 22 x 30"

Watercolor, 12 x 18

Colored Pencil, 22 x 30"

Named for Homero Gomez Gonzales, slain while protecting Monarch butterfly habitat from cartel encroachment.
41 x 55" Oil on Canvas

Oil, 18 x 24"

Oil, 18 x 24"

Oil, 24 x 36"

Oil, 24 x 36" (each)

Oil, 24 x 36"

Oil, 24 x 36"

Watercolor, 12 x 18"

watercolor
22 x 30"

Watercolor, 22 x 30"

Watercolor, 12 x 18

Colored Pencil, 22 x 30"

Named for Homero Gomez Gonzales, slain while protecting Monarch butterfly habitat from cartel encroachment.
41 x 55" Oil on Canvas

Oil, 18 x 24"

Oil, 18 x 24"

Oil, 24 x 36"

Oil, 24 x 36" (each)

Oil, 24 x 36"

Oil, 24 x 36"

Watercolor, 12 x 18"

Characters from Japanese Folklore,
Reclaimed Paper & Mixed Media, 12.5” high x 10” wide x 8” deep (each), 2018,

Paper Mache & Mixed Media

Mixed Media, 2017

Recycled junk mail & empty sugar packets, acrylic mediums, epoxy resin, & mixed media,
29” high x 9” wide x 11” deep, 2018

An exploration into the idea of crocodile tears: the display of sadness that a predator displays while it devours

Mixed Media, 2016, 18” high 20” wide 17” deep

There is a Shel Silverstein book by the same name which has been read to almost all children, everywhere, for decades. It needs to stop.
The little boy in that book took everything it could from the tree and the tree was happy to be reduced to a stump, “because it loved him”.
This is a textbook abusive relationship; it is a terrible thing to teach children to emulate. The tree in this sculpture isn’t having any of that. It keeps its fruits hid

One of These Days (We all end up feeding worms)

This is a sculpture of an elephant waving a tiny flag, while trampling on a much larger one.
(I'm not sure if this is too subtle.)
Paper Mache & Mixed Media

Characters from Japanese Folklore,
Reclaimed Paper & Mixed Media, 12.5” high x 10” wide x 8” deep (each), 2018,

Paper Mache & Mixed Media

Mixed Media, 2017

Recycled junk mail & empty sugar packets, acrylic mediums, epoxy resin, & mixed media,
29” high x 9” wide x 11” deep, 2018

An exploration into the idea of crocodile tears: the display of sadness that a predator displays while it devours

Mixed Media, 2016, 18” high 20” wide 17” deep

There is a Shel Silverstein book by the same name which has been read to almost all children, everywhere, for decades. It needs to stop.
The little boy in that book took everything it could from the tree and the tree was happy to be reduced to a stump, “because it loved him”.
This is a textbook abusive relationship; it is a terrible thing to teach children to emulate. The tree in this sculpture isn’t having any of that. It keeps its fruits hid

One of These Days (We all end up feeding worms)

This is a sculpture of an elephant waving a tiny flag, while trampling on a much larger one.
(I'm not sure if this is too subtle.)
Paper Mache & Mixed Media